Frightening Writers Share the Scariest Narratives They've Actually Encountered

A Renowned Horror Author

The Summer People by Shirley Jackson

I encountered this narrative some time back and it has stayed with me from that moment. The titular “summer people” happen to be a family from New York, who lease a particular remote rural cabin annually. This time, instead of returning to the city, they decide to prolong their holiday a few more weeks – an action that appears to unsettle all the locals in the adjacent village. Each repeats an identical cryptic advice that nobody has ever stayed by the water beyond the holiday. Regardless, they insist to remain, and that’s when events begin to get increasingly weird. The man who brings oil declines to provide for them. Nobody agrees to bring supplies to the cabin, and as the family endeavor to go to the village, their vehicle fails to start. Bad weather approaches, the energy of their radio diminish, and with the arrival of dusk, “the two old people clung to each other in their summer cottage and waited”. What might be this couple waiting for? What might the townspeople understand? Each occasion I read the writer’s unnerving and inspiring narrative, I remember that the finest fright comes from that which remains hidden.

An Acclaimed Writer

Ringing the Changes from a noted author

In this concise narrative a couple journey to a typical seaside town where bells ring continuously, a perpetual pealing that is irritating and puzzling. The initial extremely terrifying scene takes place after dark, at the time they opt to go for a stroll and they are unable to locate the ocean. The beach is there, there’s the smell of putrid marine life and seawater, there are waves, but the sea seems phantom, or a different entity and even more alarming. It is simply profoundly ominous and every time I travel to the coast in the evening I remember this tale that ruined the ocean after dark in my view – in a good way.

The recent spouses – the wife is youthful, he’s not – go back to the hotel and learn the cause of the ringing, in a long sequence of claustrophobia, necro-orgy and mortality and youth intersects with danse macabre pandemonium. It is a disturbing contemplation regarding craving and deterioration, two people growing old jointly as spouses, the attachment and violence and gentleness of marriage.

Not merely the most frightening, but perhaps one of the best concise narratives in existence, and an individual preference. I encountered it en español, in the debut release of Aickman stories to appear locally in 2011.

Catriona Ward

Zombie by Joyce Carol Oates

I perused this narrative near the water in France in 2020. Despite the sunshine I sensed cold creep over me. Additionally, I sensed the thrill of excitement. I was composing a new project, and I encountered a block. I was uncertain whether there existed a proper method to write certain terrifying elements the story includes. Going through this book, I understood that there was a way.

First printed in the nineties, the story is a bleak exploration within the psyche of a murderer, the main character, based on Jeffrey Dahmer, the murderer who murdered and mutilated 17 young men and boys in the Midwest over a decade. As is well-known, the killer was consumed with making a compliant victim that would remain by his side and made many grisly attempts to achieve this.

The deeds the novel describes are horrific, but just as scary is its own mental realism. The protagonist’s terrible, broken reality is simply narrated with concise language, names redacted. You is plunged stuck in his mind, forced to see ideas and deeds that shock. The strangeness of his thinking is like a bodily jolt – or finding oneself isolated in an empty realm. Entering Zombie is not just reading and more like a physical journey. You are consumed entirely.

Daisy Johnson

White Is for Witching from a gifted writer

During my youth, I sleepwalked and eventually began experiencing nightmares. On one occasion, the fear included a vision during which I was trapped inside a container and, as I roused, I found that I had ripped a part off the window, trying to get out. That building was falling apart; during heavy rain the ground floor corridor flooded, fly larvae fell from the ceiling into the bedroom, and on one occasion a big rodent scaled the curtains in that space.

When a friend gave me this author’s book, I was residing elsewhere in my childhood residence, but the story about the home located on the coastline seemed recognizable to me, homesick as I was. It’s a story featuring a possessed noisy, sentimental building and a girl who eats limestone off the rocks. I cherished the story deeply and came back again and again to its pages, always finding {something

Roger Graves
Roger Graves

A passionate music journalist and Berlin local, sharing insights on the city's vibrant club culture and electronic music events.